“SIN CITY: THAT YELLOW BASTARD” (VOL 4) – Revisited

Click here for Vol 3 – “The Big Fat Kill”!

“I take his weapons away from him… Both of them.” – John Hartigan

“THAT YELLOW BASTARD”

This has got to be one of the most disturbing tales in the entire series…

Originally released as a six-part mini-series, and inspired by the “Dirty Harry” movies, Frank Miller’s fourth story arc in the “Sin City” saga is “That Yellow Bastard”. While the book is still in black and white, this one’s notable as being the first in the series to include color in it’s dark and grimy pages: the Yellow bastard himself is – you guessed it – yellow. And not just any yellow, it’s a gross, sickly, yellow. And when he shows up, it’s jarring as all hell, something’s just not right about him.

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“SIN CITY: THE BIG FAT KILL” (VOL 3) – Revisited

Click here for PART ONE and PART TWO

“Stay smart. Stay cool. It’s time to prove to you’re friends that you’re worth a damn. Sometimes that means dying. Sometimes it means killing a whole lot of people.” – Dwight McCarthy

“THE BIG FAT KILL”

Volume 3 might be my favorite of the Sin City graphic novels so far! Frank Miller’s “The Big Fat Kill” continues the story of Dwight McCarthy (from “A Dame to Kill For”), as he’s once again pulled into treacherous game of life and death. This one has some of my absolute favorite panels, lines, and character moments in the entire series.

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“SIN CITY: THE HARD GOODBYE” (VOL 1) – Revisited

“Well, I’m gonna find that son of a bitch that killed you, and I’m gonna give him the hard goodbye. Walk down the right back alley in Sin City, and you can find anything.” – Marv

After having revisited all six volumes of Bryan Lee O’Malley’s “Scott Pilgrim” graphic novels, I decided to jump back into another one of my all time favorite ‘indie’ comic book series: Frank Miller’s “Sin City”!

Frank Miller’s Sin City

“Sin City” is a neo-noir anthology series. It’s basically Frank Miller’s ode to the works of the great pulp crime novels and detective yarns. Sin City aggressively leans into the tropes of the entire film noir genre, but it’s also wholly unique in it’s style and storytelling, thanks entirely to the incredible talent of writer/artist Frank Miller. It’s easily one of the most iconic works of Miller’s career, a career filled to the brim with some of the greatest graphic novels of the era: “300”, “The Dark Knight Returns”, and “Daredevil: Born Again” just to name a few.

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