So at one point not only did Supergirl have a super powered horse, but apparently that horse had romantic feelings for her. To be fair, Supergirl is hot, but um….
What we wanted to see: HULK SMASH!
What we got: HULK Sad…?
Growing up, all of my friends liked the X-Men. We loved pretty much all of them, even Longshot and the Dazzler (I know. Shut up). Everyone loved Nightcrawler, and Iceman, and Colossus, but it seemed like everyone’s favorite was always Wolverine. While I think Wolverine is cool, I always thought Cyclops was way cooler. I dunno, maybe it’s because I can’t help but think that a really short, hairy Canadian shouldn’t be the star of the show, but I digress. There were always a few writers who portrayed Cyclops with the respect he is due, like Louise Simonson, Joss Whedon, Chris Claremont, and maybe Scott Lobdell. Too often he was written as this stiff, do-gooder with a stick up his ass; always the buzzkill.
Anyway, I wanted to take a quick moment to show people what pretty much every telepath in the Marvel universe knows: Cyclops is a badass.
(Seriously, think about it. The most powerful telepath in the world (Professor X) decides he’s the one worth building his life’s dream around, the most powerful telepath in the UNIVERSE (Phoenix) just can’t stay away from him and even married him, Psylocke wanted him for years, and he’s currently sleeping with Emma Frost, another of the most powerful telepaths in the world. Also, Sinister, an incredibly powerful telepath himself, spent years manipulating and testing him).
There are a TON of villains in the Marvel universe. Some are jokes, some aren’t really villains at heart, some are pretty bad, and some are straight up evil. Then there are the ones that are just scary, because of what they’re capable of, or how far they’re willing to go to get what they want. There are some that didn’t make this list that might belong, like Magneto, or the Green Goblin, but in the end I think it depends on how you define scary. If you disagree with my choices feel free to leave your own top 10 in the comments. Here are my top 10 scariest villains of the Marvel universe.
And you thought Venom was bad. Bonded with serial killer Cletus Kassady, the Carnage symbiote is possibly the most powerful on Earth (with the possible exception of the Carnage symbiote’s offspring- Toxin- that is currently bonded with, oddly enough, Eddie Brock, aka the original Venom). When Carnage first showed up, Spider-Man was forced to team up with Venom to beat him! The next time Carnage showed up is the reason he makes this list: Maximum Carnage. Joined by a goup of psychotic freaks- Shriek, Demogoblin, Carrion, and a six-armed, razor toothed Spider-Man doppleganger (don’t ask)- Carnage went on a mass murder spree around New York, killing hundreds of people (if not more). Spider-Man was forced to team up with not only Venom, but the Black Cat, Iron Fist, Firestar, Deathlok, Cloak and Dagger, Morbius the Living Vampire, the Spawn ripoff Nightwatch, and Captain America to win, which they barely did.
Since then Carnage hasn’t really done much of anything as horrific as his rampage through New York, although recently he used his symbiote to take control of everyone in a small town and physically and mentally tortured everyone in it. Dude’s a sick bastard, insanely strong, and incredibly dangerous.
I always think back to his first scene in all of his blood-red glory, when he slaughtered an innocent man who just happened to be near him. After Carnage stabbed him, the guy pleads for his life, then asks why him, what did he do? Carnage’s response is to stab him through the eyes and tell him “I’m killing you because I CAN.”
The X-Men have one of the widest ranging rogue’s galleries in all of comics. A ton of them are really great villains, and a ton of them…. not so much. Anyway, here are my top 10 X-Men villains.
THE COPPER AGE (1985 – ?)
— “I know pain. Sometimes, I share it… with someone like you!” – Batman (Batman: Year One)
Also referred to as the ‘Modern Age’ of Comics, and is seen as a continuation of the ‘Dark Age’ of Comics. I like to say we’re in the Post-Modern Age, since the current comics barely resemble the comics of the 90’s and it’s been long enough to establish a New Age. This ‘Modern’ Age is often classified with works like Alan Moore’s Watchmen, and Frank Miller’s the Dark Knight Returns.
During this time leading up to today comics evolved into graphic novels. Comic issues were intended as single episodes in a greater story, and usually collected into larger volumes to be sold at book store chains. Many acclaimed, award winning graphic novels came about around this time including: V For Vendetta, the Sandman, Hell-blazer (Constantine), 100 Bullets, ‘Maus’, Fables, American Splendor, Kick-Ass, the League of Extraordinary Gentlemen, Wanted, Red, the Losers, Road to Perdition, A History of Violence, Y: the Last Man, and Grimm Fairy Tales, among others, most of which have been turned into blockbuster films along with a majority of super hero comics.
The Copper Age also covers the mixed bag of comics that was the 90’s when the X-titles reigned supreme, and cross-overs galore flooded comic shops with overprinting and variant cover marketing gimmicks. Comics of this decade were marked by unnecessary (and meaningless, non-permanent) deaths, constantly confusing title cross-overs, ridiculously out of proportion body-types (either steroid muscles, or DDD size boobs), and pointless violence coupled with raging CAPS and EXCLAMATION POINTS!!!!!!!!! Now regardless of all the negatives, there were some pure gold tales that came out of this mess like: The Death of Superman, the Knightfall Saga, etc… This was also the rise of other comic company giants, like Image and Wild-storm, but that’s for another article.
During the 80’s and 90’s the status quo was significantly changed. DC took a page from Marvel when they revamped their entire line of heroes. Some were altered more drastically than others, like Superman. In John Byrne’s ‘THE MAN OF STEEL’ miniseries (1985), Superman’s origin was completely revamped from the start. Superman himself was significantly depowered compared to the god-like Silver Age version and he was made more relatable and down to Earth. His entire cast of supporting characters were also given updates. Most notably, LEX, the original criminal-mastermind was no longer a crazy-ass mad-scientist with desires for world domination, instead he was a ruthless business man who had already conquered the world and had practically built the city of Metropolis! Lex became insanely jealous when this new hero of tomorrow overtook his own spotlight, and vowed to destroy him.
THE BRONZE AGE (1970 to 1985)
— “I am fire and life incarnate! Now and forever — I am PHOENIX!!!” – Jean Grey (Dark Phoenix)
This is considered to be the start of the ‘Dark Age’ of Comics, and with good reason, which continued into the late 90’s (the Copper Age). Some very dark twists to many popular characters backstories were first established during this time such as: (Retro Spoiler Alert!) the Green Goblin killing Spider-man’s girlfriend (Gwen Stacy, not MJ), the demise of Jason Todd (the second Robin) at the hands of the Joker, Elektra’s murder by Bullseye, etc… (BULLSEYE was introduced in Daredevil #131 – 1976, and ELEKTRA in #168 – 1981)
Often disputed between comic fans / historians, this Bronze Era is typically said to have occurred sometime between 1970 and 1985 give or take a couple years. This was a time when comic books became more socially conscious and began featuring real-world issues. Comic books were no longer just an escape from reality, but a mirror of it. This is when the legends behind the most acclaimed adult-themed comics started to creep onto the scene. Writers and artists like Alan Moore, Frank Miller, Neil Gaiman Chris Claremont, John Byrne, Jim Lee, George Perez, Joe Quesada, and countless others who are still relevant today, most of whom are still actively in the comic industry today!
The Bronze Age was when there was a resurgence in interest for super heroes in general. Following the cheesy campy spoof that was the Batman 60’s TV series was the first serious, live action, depiction of a comic book, on the silver screen with Superman: The Movie in the late 70’s, and in the 80’s there was the Wonder Woman show and the Incredible Hulk became a Smash Hit! (pun-intended)