On today’s episode we’re discussing the anime anthology, “Star Wars: Visions” (now streaming on Disney+), the two-part finale of Marvel’s “What If…?” (also on Disney+), and a quick breakdown of DC Fandome’s new trailers for “The Batman” and “The Flash”!
Also on this episode:
- Initial thoughts on “Y: The Last Man” – show vs comics (Hulu)
- “Superman and Lois” discussion (HBO Max)
- Chris’s “Squid Game” Review (Netflix)
- DC Fandome 2021 Discussions: Black Adam, Aquaman: The Lost Kingdom, Shazam: Fury of the Gods, Batman: The Caped Crusader, etc
- Essential Reads: DAREDEVIL! (Kevin Smith’s “Guardian Devil”, Ed Brubaker’s “The Devil in Cellblock D”, and Frank Miller’s “Born Again”)
For more random shenanigans, check out our blog at ComicZombie.net
*Also listen to us on the latest season of Podcasters Assemble! (and hit us up on Instagram @ComicZombiePodcast!)Continue reading
With another new animated Batman series in the works (Batman: The Caped Crusader), we figured it would be a great time to revisit the classic that has stood the test of time and remains to this day one of the absolute best superhero cartoons to date!
Created by Bruce Timm and Paul Dini, “Batman: The Animated Series” first premiered in 1992 and lasted 4 seasons (including “The New Batman Adventures”), spinning off into several other animated series throughout the 90’s and early 2000’s – Superman: The Animated Series, Batman Beyond, Static Shock, Justice League, Justice League: Unlimited, and Young Justice! Inspired by the style of the 1941 Fleischer Superman cartoons, the 90’s Batman series was a dark and faithful adaptation.
Batman: The Animated Series is, in my humble opinion, the absolute best version of Batman to date. Sure, the Tim Burton movies are great, Nolan’s “Dark Knight” trilogy is a masterpiece of cinema, and the Arkham games are a lot of fun, but nothing has really captured the magic of the old school Batman comics quite the way that this show did. Not only did Bruce Timm and Paul Dini draw heavily from the source material, in some cases they streamlined and improved on some of the classic storylines and characters from the comics!
Unlike the campy Adam West series from the 60’s, this one took a darker and grittier look at Gotham, while still retaining the fun elements. Further, the voice talent on this series is incredible, including but not limited to Kevin Conroy as Batman / Bruce Wayne and of course, Mark Hamill as The Joker! And to top it off, the show was actually geared towards adults, while still being appropriate for kids, which is not an easy task.
The following list is 100% up for debate, so feel free to yell at me on Twitter @ErikSlader!Continue reading
Chris and Erik return from the dead to bring you their own personal secret origins into comic fandom *and* how they first met! They also discuss what they’ve been reading recently, including Tom King’s “Mister Miracle”, Donny Cates, Garth Ennis, and “Spider-man: Life Story” by Chip Zdarsky, as well as some recommended starting points for those new to the world of comic books and highlight a couple of their all time favorite Batman graphic novels.
Segments on this episode:
- New Comics
- WTF Moments
- Essential Reads: Batman
(Episode edited by Erik Slader)
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THE COPPER AGE (1985 – ?)
— “I know pain. Sometimes, I share it… with someone like you!” – Batman (Batman: Year One)
Also referred to as the ‘Modern Age’ of Comics, and is seen as a continuation of the ‘Dark Age’ of Comics. I like to say we’re in the Post-Modern Age, since the current comics barely resemble the comics of the 90’s and it’s been long enough to establish a New Age. This ‘Modern’ Age is often classified with works like Alan Moore’s Watchmen, and Frank Miller’s the Dark Knight Returns.
During this time leading up to today comics evolved into graphic novels. Comic issues were intended as single episodes in a greater story, and usually collected into larger volumes to be sold at book store chains. Many acclaimed, award winning graphic novels came about around this time including: V For Vendetta, the Sandman, Hell-blazer (Constantine), 100 Bullets, ‘Maus’, Fables, American Splendor, Kick-Ass, the League of Extraordinary Gentlemen, Wanted, Red, the Losers, Road to Perdition, A History of Violence, Y: the Last Man, and Grimm Fairy Tales, among others, most of which have been turned into blockbuster films along with a majority of super hero comics.
The Copper Age also covers the mixed bag of comics that was the 90’s when the X-titles reigned supreme, and cross-overs galore flooded comic shops with overprinting and variant cover marketing gimmicks. Comics of this decade were marked by unnecessary (and meaningless, non-permanent) deaths, constantly confusing title cross-overs, ridiculously out of proportion body-types (either steroid muscles, or DDD size boobs), and pointless violence coupled with raging CAPS and EXCLAMATION POINTS!!!!!!!!! Now regardless of all the negatives, there were some pure gold tales that came out of this mess like: The Death of Superman, the Knightfall Saga, etc… This was also the rise of other comic company giants, like Image and Wild-storm, but that’s for another article.
During the 80’s and 90’s the status quo was significantly changed. DC took a page from Marvel when they revamped their entire line of heroes. Some were altered more drastically than others, like Superman. In John Byrne’s ‘THE MAN OF STEEL’ miniseries (1985), Superman’s origin was completely revamped from the start. Superman himself was significantly depowered compared to the god-like Silver Age version and he was made more relatable and down to Earth. His entire cast of supporting characters were also given updates. Most notably, LEX, the original criminal-mastermind was no longer a crazy-ass mad-scientist with desires for world domination, instead he was a ruthless business man who had already conquered the world and had practically built the city of Metropolis! Lex became insanely jealous when this new hero of tomorrow overtook his own spotlight, and vowed to destroy him.
THE BRONZE AGE (1970 to 1985)
— “I am fire and life incarnate! Now and forever — I am PHOENIX!!!” – Jean Grey (Dark Phoenix)
This is considered to be the start of the ‘Dark Age’ of Comics, and with good reason, which continued into the late 90’s (the Copper Age). Some very dark twists to many popular characters backstories were first established during this time such as: (Retro Spoiler Alert!) the Green Goblin killing Spider-man’s girlfriend (Gwen Stacy, not MJ), the demise of Jason Todd (the second Robin) at the hands of the Joker, Elektra’s murder by Bullseye, etc… (BULLSEYE was introduced in Daredevil #131 – 1976, and ELEKTRA in #168 – 1981)
Often disputed between comic fans / historians, this Bronze Era is typically said to have occurred sometime between 1970 and 1985 give or take a couple years. This was a time when comic books became more socially conscious and began featuring real-world issues. Comic books were no longer just an escape from reality, but a mirror of it. This is when the legends behind the most acclaimed adult-themed comics started to creep onto the scene. Writers and artists like Alan Moore, Frank Miller, Neil Gaiman Chris Claremont, John Byrne, Jim Lee, George Perez, Joe Quesada, and countless others who are still relevant today, most of whom are still actively in the comic industry today!
The Bronze Age was when there was a resurgence in interest for super heroes in general. Following the cheesy campy spoof that was the Batman 60’s TV series was the first serious, live action, depiction of a comic book, on the silver screen with Superman: The Movie in the late 70’s, and in the 80’s there was the Wonder Woman show and the Incredible Hulk became a Smash Hit! (pun-intended)
Continued from Part 3: Leagues, Titans, and Guardians (oh my!)
#4 – “Holy Bat-Comics, BATMAN!”
In the New-52 there are a total of 16 current Bat-related titles, 6 of which actually star the Dark Knight himself, and in 4 of those he’s the leading man (3 of which are solo missions), and best of all, every single one of them is top-notch… as it should be! Batman is simply a great character in every sense, created by the legendary Bob Kane, but it’s astounding, after all this time, how these writers still manage to come up with new and different takes on all his villains, various allies, and numerous adventures, without constantly re-hashing the same damn stuff!
So everyone knows about Year One and the Dark Knight Returns. A lot of people know about The Long Halloween and Dark Victory, and most people who have ever read a Batman comic know about the Killing Joke (after Year One, my personal favorite). But those have been discussed, dissected, and praised into the ground.
I’d like to tell you about 5 Batman stories that you probably have never heard of, much less read before. One of them is an “Elseworlds” story, which was an imprint DC Comics used to tell stories about their characters in completely different situations than you would normally find them, much like Marvel’s “What If…?”. For instance, in an Elseworlds story you might see Batman become a vampire and fight Dracula, or see what would have happened if Kal-El’s rocket ends up being discovered by a young Gotham couple before they ever have a son of their own, a couple named Thomas and Martha Wayne… Another of the stories I’m going to talk about isn’t an Elseworlds story, but it doesn’t really ‘count’ in the Batman continuity, as it takes place 100 years after the Batman first showed up in Gotham. The others take place in completely different periods in Batman’s career, from the beginning to the ‘dark period’ of the 1980’s to more or less the present.
I present my 5 Batman stores you’ve probably never read.
5. Batman: Year 100
100 years after Batman first began stalking the streets and rooftops of Gotham city, and things aren’t so great. Big brother is watching everyone all the time, everything is run by gigantic corporations that own and control governments, and there isn’t anybody standing up for the people in Gotham. The police have the capability, but are largely crooked beyond belief. One of the honest Gotham cops, a Lt. Gordon (the great grandson of the Commissioner) does what he can, but it’s not enough. Then there is a gun fight, and a federal agent turns up dead, and the police are shut out of the case. Nothing adds up from the outside, and Gordon can’t figure out what’s going on. Everything seems strange, especially when you add in the bizarre reports of some kind of creature with giant, leather wings that can’t be killed by bullets, is inhumanly fast, and impossibly strong.
We all know who that sounds like….
Paul Pope writes and draws this entire story, and his artwork is incredible. You see every wrinkle, every fold in Batman’s suit. When he uses gadgets you can see every nut and bolt. The details are great.
The story is a little strange as you get into it, as you don’t really know who Batman is until the end, and while it’s a cool reveal, it’s also a bit of a head scratcher, because it’s hard to believe that this person would still be alive after all this time. Regardless, it’s a really interesting take on the Batman mythology, and in my opinion every bit as valid of a possible future for Batman as the Dark Knight Returns was.