As I said in my review of Episode One, “LOKI” has been a ‘wild, off-the-rails, jaunt through time’ – and with so many crazy twists and turns, it’s a rollercoaster that’s never once slowed down since then! Throughout the show we’ve followed a Loki variant (Tom Hiddleston), after the time-traveling events of “Avengers: Endgame”, go from being an Asgardian supervillain to an introspective Alice through the looking glass.
Through a series of random Douglas Adams inspired shenanigans with Agent Mobius (Owen Wilson) of the TVA (Temporal Variance Authority), Loki encountered a female variant of himself in the form of Sylvie (Sophia Di Martino) who he then joined on a quest to uncover the identities of the Time Keepers who turned out to be nothing more than robotic puppets! Together, the two Lokis eventually found themselves in a realm at the end of time known as the Void, where all manner of Lokis have been discarded amongst the remnants of countless erased timelines, including Kid Loki, President Loki, and Gator Loki. With the valiant sacrifice of an older Loki, Sylvie and Loki are able to combine their powers and enchant the hangry cloud monster known as Alioth, revealing a portal to… somewhere?
We start where we left off with Loki waking up in “The Void”, a realm at the end of time riddled with all the “pruned” variants and remnants of forgotten timelines. Loki is approached by “the Council of Lokis” – made up of 4 Loki variants: Classic Loki (an older variant from the future played by Richard E. Grant), Kid Loki, “Boastful Loki” (an African American variant with what looks like an alternate version of Mjolnir?), and last by not least, Gator Loki… who is just an alligator with Loki horns?!
After a heart-wrenching flash back to Sylvie as a kid, in Asgard, being taken away by the TVA, we jump forward to Loki and Sylvie as they await the end of their worlds as the doomed planet Lamentis crumbles around them. She explains to her male counterpart that she escaped their custody as a child and had been on the run ever since, hiding in apocalyptic events, “That’s where I grew up, the end of a thousand worlds… and that’s where I’ll die.”
Episode 2 starts with a Ren Fair! I really like the way it kicks off, fading from the green Marvel logo to what at first glance looks like it could be somewhere in Medieval Europe, before we quickly find out that it’s Wisconsin in the 80’s. It’s those little moments that really play up the theme of things not quite being what they appear to be.
After another squad of minutemen are ambushed by the “other Loki”, Mobius brings Loki along to try and find a clue as to the variant’s motives.
It can’t be understated how great this cast is. Tom Hiddleston and Owen Wilson are one of the best buddy cop duos since Riggs and Murtaugh. Once again, we get a wide array of super random quirky moments, like Miss Minutes being a high tech holographic Alexa to Agent Mobius obsessing about jet skis.
Marvel’s new “LOKI” series is a wild, off-the-rails, jaunt through time – once again starring Tom Hiddleston as the Asgardian Trickster God himself. Following this first episode and the success of “Wandavision” and “The Falcon and the Winter Soldier”, I think it’s safe to say that the MCU is *still* going strong on Disney+!
For those who somehow don’t already know, Loki is a supervillain in the pages of Marvel comics (first appearing in ‘Journey Into Mystery’ #85, 1962), loosely based on the Norse deity of the same name, he’s the adopted son of Odin, and brother to his greatest adversary, Thor – the God of Thunder. He was also the first villain to fight the Avengers in “The Avengers” #1 in 1963! In the comics, like in Norse Mythology, Loki has taken on a number of forms throughout the years, including a female persona. While Loki has an array of powers, including shape-shifting and conjuring illusions, his most cunning weapon is his mind and his innate ability to persuade and manipulate others for his own ends.