Top 50 Moments from “Events”

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Both Marvel and DC (and really most publishers) from time to time will throw a lot of their characters (sometimes nearly all) together for a really big story. These have been dubbed ‘event’ titles. Books like Final Crisis, Blackest Night, Metal, Civil War, Spider-Verse, and many, many others have their fans and detractors, but you can’t deny that they provide some of the coolest, most intense, most unforgettable moments in comics history.

Everyone has their favorites, but here are 50 of the best moments (in no particular order). If you have any favorites that we neglected to include, sound off in the comments.

SPOILERS AHEAD!

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RETRO SPOILER ALERT! – First Appearances Can Be Deceiving – COPPER AGE? (4 of 4)

Continued from Part 3: The Bronze Age

THE COPPER AGE (1985 – ?)

— “I know pain. Sometimes, I share it… with someone like you!” – Batman (Batman: Year One)

Also referred to as the ‘Modern Age’ of Comics, and is seen as a continuation of the ‘Dark Age’ of Comics. I like to say we’re in the Post-Modern Age, since the current comics barely resemble the comics of the 90’s and it’s been long enough to establish a New Age. This ‘Modern’ Age is often classified with works like Alan Moore’s Watchmen, and Frank Miller’s the Dark Knight Returns.

During this time leading up to today comics evolved into graphic novels. Comic issues were intended as single episodes in a greater story, and usually collected into larger volumes to be sold at book store chains. Many acclaimed, award winning graphic novels came about around this time including: V For Vendetta, the Sandman, Hell-blazer (Constantine), 100 Bullets, ‘Maus’, Fables, American Splendor, Kick-Ass, the League of Extraordinary Gentlemen, Wanted, Red, the Losers, Road to Perdition, A History of Violence, Y: the Last Man, and Grimm Fairy Tales, among others, most of which have been turned into blockbuster films along with a majority of super hero comics.

The Copper Age also covers the mixed bag of comics that was the 90’s when the X-titles reigned supreme, and cross-overs galore flooded comic shops with overprinting and variant cover marketing gimmicks. Comics of this decade were marked by unnecessary (and meaningless, non-permanent) deaths, constantly confusing title cross-overs, ridiculously out of proportion body-types (either steroid muscles, or DDD size boobs), and pointless violence coupled with raging CAPS and EXCLAMATION POINTS!!!!!!!!! Now regardless of all the negatives, there were some pure gold tales that came out of this mess like: The Death of Superman, the Knightfall Saga, etc… This was also the rise of other comic company giants, like Image and Wild-storm, but that’s for another article.

During the 80’s and 90’s the status quo was significantly changed. DC took a page from Marvel when they revamped their entire line of heroes. Some were altered more drastically than others, like Superman. In John Byrne’s ‘THE MAN OF STEEL’ miniseries (1985), Superman’s origin was completely revamped from the start. Superman himself was significantly depowered compared to the god-like Silver Age version and he was made more relatable and down to Earth. His entire cast of supporting characters were also given updates. Most notably, LEX, the original criminal-mastermind was no longer a crazy-ass mad-scientist with desires for world domination, instead he was a ruthless business man who had already conquered the world and had practically built the city of Metropolis! Lex became insanely jealous when this new hero of tomorrow overtook his own spotlight, and vowed to destroy him.

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Top 5 DC Moves I Hated

DC Comics has pretty much always been about changing things up. They rebooted their entire line more than a few times, they have replaced beloved characters with ones nobody cared about, they have dragged their icons through the mud on numerous occassions. They’ve let titles like JLA, JSA, and Teen Titans spend so much time floundering that it should be considered criminal. But there are a few things they’ve done over the years that drove me crazy, and I was able to narrow it down to the 5 most glaring (to me). Keep in mind that these aren’t the 5 worst moves DC has ever made, but the ones that I disliked the most. So, in no particular order….

1.Final Crisis

250px-FinalcrisistpbDC has always had this thing that they do. First, they lose control of how streamlined their universe is. Then, they compound the problem by adding retcons, and new characters replacing old ones, and revamps. Then, realizing that this has left a bigger mess, they have a “Crisis” and come out of it with a new universe. After the first, “Crisis on Infinite Earths”, Supergirl and the Flash were dead (among others), and they relaunched their books (or at least their characters) with new origins, and the previous decades of stories no longer ‘counted’. Then, about ten years later, the same problem had happened. They had lost control of their universe, and the titles were suffering. Rather than doing the Marvel (aka ‘smart’) thing, namely getting top talent on your titles and telling them to go nuts, DC decided the real problem wasn’t the way the books were being made, but rather that they just all needed new blank slates (again). So there was “Zero Hour”, which led to the deaths of a lot of people, most notably the Atom, Hourman, and Dr. Midnite from the JSA. After Zero Hour everything was rebooted (AGAIN). Cut to 15 years later, and DC is doing pretty darn well. Their books are as good as they’ve ever been, they have A list creators working for them, and they’re exploring movie options for a number of them. But still, they decided they needed a clean start (albeit not a complete reboot, more like a… restructuring), so along came “Infinite Crisis”, which didn’t so much reboot everything as it let them fix some continuity problems that they had. It actually made the entire line stronger, but that wouldn’t last…

A few years later DC has squandered almost all of the good will they had built with fans from projects like Identity Crisis, Infinite Crisis, 52, etc. After “Countdown”, and the mind-boggling handling of the Flash, the Justice League, Superman, and the Teen Titans, DC decided it was time once again to have a crisis. Enter Grant Morrison and Final Crisis, a story about what happens to the Earth when gods from another planet start to manifest here. While that’s a cool story idea, the execution was, to say the least, flawed. Rather than a straightforward story, we got a metaphysical wankfest from Morrison, who had much more interest in writing about the strength of myths and stories rather than any kind of ACTUAL story. It was a huge mess, and really killed any momentum that was left from the Infinite Crisis days.

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Not only was the story a mess, but it was completely forgettable. It had no real lasting effect on any of the DC titles, not even Batman, who ‘died’ in Final Crisis. Well, that is if you read Final Crisis. If you were just reading Batman, it was clear that SOMETHING happened to him, but damned if anybody could figure it out. Not that it was some super-well written mystery, but it just didn’t make any damn sense. Finally, the fans started to speak with their money, and started dropping DC titles like they were made of dead babies and AIDS. This led to Warner Bros, DC’s parent company, to do some corporate restructuring, including bringing in Bob Harras as the new Editor-in-Chief. Bob was once the EIC at Marvel, and promptly ran them into bankruptcy. As soon as he was in charge at DC we saw him implement HIS idea for how DC should reboot (again. For the THIRD time in less than 10 years)…..
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