Spoiler Alert – Issue One: 7 Awesome Changes to the DC Universe (part 3)

Continued from Part 2: Not your grandma’s heroine…

#5 – Leagues, Titans, and Guardians (oh my!)

It was probably a good move to not immediately re-hash the origins of every single character in the new 52 #1’s, it’d probably come across as redundant, and unnecessary.  However, they have done an impressive job of showing the origins of a few different team-ups and explaining why they would work together to begin with (Even ‘JL-International’ wasn’t as terrible as I suspected). One of the best things they did was to retell the formation of the JUSTICE LEAGUE.

First off there’s an incredible roster, you have the essential core characters: Superman, Batman, Wonder Woman, Green Lantern (Hal Jordan of course), the Flash (Barry Allen, nuff said), Aquaman, and even… Cyborg?! Sweet! (for those wondering about the absence of the Martian Manhunter, he can be found in the pages of ‘Storm Watch’) Not only is it one incredible line-up of ‘Super Friends’ (who don’t get along), but you have two incredible talents working on it, this epic 6-part team-up includes: Writer Geoff Johns as scribe, and none other than the amazing talents of renowned artist Jim Lee!

You’ve got one clever catalyst as a reason for the initial roster: DARKSIED! Yep the Inter-dimensional tyrant of the volcanic Planet ‘Apokolips’ (sounds like a wonderful vacation spot).

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Spoiler Alert – Issue One: 7 Awesome Changes to the DC Universe (part 2)

Continued from Part One: The Fastest Man Alive (Exclusively)

#6 – Not your Grandma’s Heroine….

It’s finally starting to sink in that a majority of comic readers / nerds aren’t actually kids, in fact, but that the primary majority of fan-boys AND girls (according to statistics) are somewhere between college students and middle-aged bachelors (This has actually been the trend since the late 80’s / early 90’s following Alan Moore’s “Watchmen”, Frank Miller’s “Sin City”, and Neil Gaimain’s “The Sandman”). It’s good that comics have not only acknowledged this, but embraced it, this is especially evident in titles like CATWOMAN (kinkier than ever), and BATWOMAN (think kick-ass lesbian version of Batman, not to be confused with Bat-girl).  Both titles are not only really well written, and directed towards an adult audience, but also have some top-notch quality artwork! Just check out how the panels flow in Batwoman, thanks to artist J.H. Williams III.

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Spoiler Alert – Issue One: 7 Awesome Changes to the DC Universe (part 1)

DC Comics has been around in some carnation or another basically since your great grandfather was your age. It all began with the introduction of the first super hero, SUPERMAN in Action Comics #1 and the rest is folklore for another blog. Suffice it to say that DC is home to some of the most iconic characters in modern American mythology, an entire pantheon of reimagined gods!

When you have an ongoing, never-ending series like say BATMAN, which has been going on since give or take 70+ YEARS since his first appearance in DETECTIVE COMICS #27 (the title DC took its name after) you’re going bound to get some weird storylines thrown in… especially during the sixties. Back in the day, a writer would be dishing out issue after issue for a paycheck (can’t blame them) and would occasionally have to pull a rabbit out of their ass (poor rabbit) to make it happen, and you’d get some piece of shit like ‘Batman and Robin in Space fighting mutant communist ant-people from the fourth dimension!’ (there are just certain things you can’t un-see, and therefore can’t easily retcon). Problem is that other writers would later have to make sense of this… and so cam the first of many a CRISIS, in which the status quo of the multiverse was balanced (see ComicZombie’s summary of this in “5 DC moves I Hated”).

Every time a ‘Crisis’ came along the universe would be tinkered with, backstories were edited, plot holes filled with cement while the audience was distracted by the pointless death of a beloved character (cough cough Barry Allen). The point is, they did it again, but this time they began with a clean slate, mostly, and there were understandably mixed feelings about some of this modernization, but sometimes change is good.

Sales have definitely proven that DC made the right move by re-launching their entire comic book line, renewing interest, and reinvigorating the comic book industry itself!

Originally I sat down contemplating 52 reasons to read DC’s “New 52” (named for the 52 new #1 titles), but came to the conclusion that if you were willing to read through that list there’s a good chance you didn’t need convincing to begin with. Much like the re-launch of the DC Universe I cut down that convoluted mess, narrowing it down to what really mattered. I also decided it was best to focus on the positive aspects, rather than the negative, disappointing, and infuriating changes / completely mishandled characters (Green Arrow).

We’re now heading into Issue 7 of each of the monthly titles, which means a lot of the initial story arcs are wrapping up, and so far they’re still going strong! If you’ve never read comics, now’s a great time to jump in, but for anyone who hasn’t been following the new DC comics I’m going to throw it out there that There Will Be SPOILERS!

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Favorite Stories- Avengers: Under Siege

Long before they were New, Dark, or Disassembled, the Avengers were far from Marvel’s biggest characters. While people liked Captain America, Iron Man, Thor, etc., they weren’t as popular as Spider-Man, the Fantastic Four, or the Hulk. For whatever reason, the Avengers just weren’t striking any chords with the comic book audience as a whole. There were fans, sure, otherwise the title would have been cancelled, but it was never a top seller, and just didn’t garner all that much attention. So it was a bit of a surprise when Roger Stern and John Buscema started a story that has become known as “Avengers: Under Siege”, and all of a sudden everyone was talking about the Avengers.

The line-ups for the Avengers have always been in a constant state of change. Each era has its stand-by’s, though. In the 60’s it was mostly Captain America. In the 70’s it was the Vision and/or Hank Pym. By the 80’s it was more B-list characters that usually grabbed the spotlight, like Hercules, the Black Knight, Crystal, or Captain Marvel (Monica Rambeau). The roster when this story opens is Wasp (team leader), Captain America, Black Knight, Hercules, Namor, and Captain Marvel. Also worth noting is the presence of the Avengers mansion’s butler, Edwin Jarvis. Before the Siege, Namor is forced to return to Atlantis to deal with some personal issues, and Hercules, pissed that the Wasp is in charge of him, goes off to get drunk.

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Top 5 DC Moves I Hated

DC Comics has pretty much always been about changing things up. They rebooted their entire line more than a few times, they have replaced beloved characters with ones nobody cared about, they have dragged their icons through the mud on numerous occassions. They’ve let titles like JLA, JSA, and Teen Titans spend so much time floundering that it should be considered criminal. But there are a few things they’ve done over the years that drove me crazy, and I was able to narrow it down to the 5 most glaring (to me). Keep in mind that these aren’t the 5 worst moves DC has ever made, but the ones that I disliked the most. So, in no particular order….

1.Final Crisis

250px-FinalcrisistpbDC has always had this thing that they do. First, they lose control of how streamlined their universe is. Then, they compound the problem by adding retcons, and new characters replacing old ones, and revamps. Then, realizing that this has left a bigger mess, they have a “Crisis” and come out of it with a new universe. After the first, “Crisis on Infinite Earths”, Supergirl and the Flash were dead (among others), and they relaunched their books (or at least their characters) with new origins, and the previous decades of stories no longer ‘counted’. Then, about ten years later, the same problem had happened. They had lost control of their universe, and the titles were suffering. Rather than doing the Marvel (aka ‘smart’) thing, namely getting top talent on your titles and telling them to go nuts, DC decided the real problem wasn’t the way the books were being made, but rather that they just all needed new blank slates (again). So there was “Zero Hour”, which led to the deaths of a lot of people, most notably the Atom, Hourman, and Dr. Midnite from the JSA. After Zero Hour everything was rebooted (AGAIN). Cut to 15 years later, and DC is doing pretty darn well. Their books are as good as they’ve ever been, they have A list creators working for them, and they’re exploring movie options for a number of them. But still, they decided they needed a clean start (albeit not a complete reboot, more like a… restructuring), so along came “Infinite Crisis”, which didn’t so much reboot everything as it let them fix some continuity problems that they had. It actually made the entire line stronger, but that wouldn’t last…

A few years later DC has squandered almost all of the good will they had built with fans from projects like Identity Crisis, Infinite Crisis, 52, etc. After “Countdown”, and the mind-boggling handling of the Flash, the Justice League, Superman, and the Teen Titans, DC decided it was time once again to have a crisis. Enter Grant Morrison and Final Crisis, a story about what happens to the Earth when gods from another planet start to manifest here. While that’s a cool story idea, the execution was, to say the least, flawed. Rather than a straightforward story, we got a metaphysical wankfest from Morrison, who had much more interest in writing about the strength of myths and stories rather than any kind of ACTUAL story. It was a huge mess, and really killed any momentum that was left from the Infinite Crisis days.

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Not only was the story a mess, but it was completely forgettable. It had no real lasting effect on any of the DC titles, not even Batman, who ‘died’ in Final Crisis. Well, that is if you read Final Crisis. If you were just reading Batman, it was clear that SOMETHING happened to him, but damned if anybody could figure it out. Not that it was some super-well written mystery, but it just didn’t make any damn sense. Finally, the fans started to speak with their money, and started dropping DC titles like they were made of dead babies and AIDS. This led to Warner Bros, DC’s parent company, to do some corporate restructuring, including bringing in Bob Harras as the new Editor-in-Chief. Bob was once the EIC at Marvel, and promptly ran them into bankruptcy. As soon as he was in charge at DC we saw him implement HIS idea for how DC should reboot (again. For the THIRD time in less than 10 years)…..
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