“It’s important that I live the next 24 hours as a black woman!”
Hahahahaha! What the fuck?
Here it is! My top-FIFTEEN Favorite Comic Book Movies of ALL TIME! (so far…)
I know it’s a long list, but there’s a lot of damn good comic book movies out there, and I kinda had to expand it in order to compensate for this years entries alone!
ENJOY!!
15. SUPERMAN: THE MOVIE (1978)
“Your name is Kal-El. You are the only survivor of the planet Krypton. Even though you’ve been raised as a human, you are not one of them. You have great powers, only some of which you have as yet discovered.” – Jor-El
Click here for Spoiler Alert – Issue One: 7 Awesome Changes to the DC Universe!
“In the beginning there was the word, and the word was <SHAZAM!>” – John 1:1, New Testament, Biblical quote (altered, obviously)
One of the things I absolutely love about comic books is the intricate history, not just the current ‘in-cannon’ history of the stories themselves, but the history behind the stories, the history of the characters, and their creators. What started in newsstands and drug stores eventually evolved into bestselling graphic novels, and smart phone downloads.
In this (retro) installment of ‘Spoiler Alert’, I’ll be discussing the initial appearances of many of the world’s most famous super heroes between both MARVEL and DC comics! Furthermore, I will be delving into the differences between their initial appearances and today. One big difference between DC and Marvel over the years is that DC characters almost always started out in their own separate worlds and eventually crossed over into the same continuity, whereas Marvel characters have always been a part of the same world from day one. However almost all these characters started out in a series that was not titled after them.
Back in the day, it was not uncommon for single comic issues to have Multiple (complete) stories rolled into one, whereas today you’re lucky to get One story in a single issue, since most stories are stretched between several issues and later collected into a trade paperback, so most of today’s comics are the equivalent of a chapter. Anyone who already knows a bit about comics knows that Superman first originated from Action Comics 1 (1938) and Batman made his debut in Detective Comics 27 (1939), while Marvel’s Spider-man (created by New York comic gods STAN <the man> LEE and Steve Ditko) first swung into the pages of ‘Amazing Fantasy’, Issue #15, in 1962. But did you know that Wolverine first appeared in the Incredible HULK?! (Issue 180, 1974)
Real quick note about DC and Marvel. The two competitive companies are akin to Microsoft and Apple in that both are very similar in a lot of ways, both have been known to copy one another, there are a few differences in the way they get things done, but it all comes down to the fact that both of them pretty much do the same basic shit. A key difference right now would be that Marvel’s live action films are kicking ass left and right (Iron Man, Spider-man 2, X-Men: First Class, Daredevil, THOR, ‘The INCREDIBLE’ HULK, etc), in comparison to DC’s few and far between with a few notable exceptions (The DARK KNIGHT Trilogy), even though they have just as much potential, but take their animated films and DC is far superior in quality thus far with their new line of PG-13 movies directed to an older audience (Superman Doomsday, Wonder Woman, Batman: Under the Red-Hood, Green Lantern: Emerald Knights, Superman/Batman: Public Enemies, Justice League: Doom, etc), also, obviously, with a few notable exceptions (Hulk vs Wolverine).
Also, one cool thing about all these first appearances is that if you can get your hands on one of these issues, (I’m talking first printing) especially the older stuff, it’s going to be worth a lot more than your average comic. For instance, Action Comics #1 recently sold for a whopping $2.6 MILLION!!! It originally only sold for a measly 10 Cents (talk about inflation). But that’s a rare case seeing as it’s not only one of the rarest comics of all time, but it is the original super hero comic of all time! So yeah, if you’re ever perusing a vintage collection of comics in a random flea market keep your radar out for these diamonds in the trash.
Now that we’ve got those honorable mentions out of the way let’s buckle our seat-belts and set our Flux Capacitor for the 1930’s because when it comes to history I like to go chronologically. We’ll be skipping the Victorian and Platinum Ages that led into…
THE GOLDEN AGE (1938-1956)
—“Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound!” – Superman narrator / radio announcer (from the 50’s TV series)
It took me a while to start typing this because I couldn’t stop laughing.
I imagine the discussions at DC went something like this:
“You idiots! People HATE this ‘electric’ Superman! You’ve failed me AGAIN! What are you going to do to make this right?”
“….how about if there’s two of him?”
“Are you kidding me? How is that possibly going to fix this?”
“We can make the other one red.”
“You get a raise.”
I’m aware that they did this as a sort of tribute to an older story, but seriously, look at that. What the fuck.
Continued from Part 4: ‘Holy Bat-Comics, Batman!’
#3 – Superman’s ‘super-suit’!
Perhaps the biggest change to DC’s new 52 initiative was the revamp of Superman himself.
Now, I feel the need to preface this by saying I really am a huge super-fan, like ever since the premier of Smallville’s pilot a good eleven years ago (when I was in high school that is). Mark Waid’s ‘Superman: Birthright’ several years ago simply enforced everything I subconsciously dug about this legendary icon, however at the same time I’ve always been of the opinion that his costume was, for lack of a nicer word, outdated.
To be fair, it is after all the original superhero outfit, and therefore practically blasphemy to tweak it, but I do think it was the right call to finally shake things up a bit (those red speedos had to go). As with most of the New 52 versions of the DC heroes, practically all of their designs now emphasize practicality, thanks to Jim Lee. For instance: the Green Lanterns wear energy construct uniforms, Flash’s costume is apparently some kind of nano-tech, Aqua-man wears Atlantean Scale-male, and Batman has a light-weight suit of Kevlar high-tech armor.
In the pages of the new ACTION COMICS, by the great Grant Morrison (of ‘All-Star Superman’ fame), a young Man of Steel is first starting out as a Metropolis vigilante in… blue jeans, work boots, a red indestructible cape (we later learned belonged to his biological grandfather), and a certain symbolic, Kryptonian ‘S’-shield crest across his chest, emblazoned on his…um… t-shirt? One of the purposes of this story arc is to show the evolution of a super man to a true super hero. For one he’s both inexperienced, and de-powered significantly. In the new continuity this story takes place 10 years prior to the current-era, main ‘Superman’ title (by George Perez) where he’s already established, and working for the Daily Planet, and 5 years before the Justice League story where he first runs into Batman and co.
I’m not the world’s biggest Superman fan. I don’t normally read that many Superman stories, but I tend to gravitate towards the really good ones. There’s something about Superman; I would say that the best Superman stories just feel like there’s something extra special about them compared to any other character. Maybe it’s because he’s the first and the best, but really good creators tend to do their very best work on Superman, whether that’s Grant Morrison, Alan Moore, or whomever.
5. The Death and Return of Superman
The thing people have to remember about the death of Superman is that nothing had ever hit the public like that from the world of comics. Not only was this story getting mainstream press every week, it was getting a LOT. Air time on Saturday Night Live, the Tonight Show, and pretty much every news show talked about it for quite a while. The creators and editors involved were made into instant pseudo-celebrities. It has since spawned video games, an animated movie, and a ton of stories. Its immediate follow-up, the Reign of the Supermen, created 4 new ‘Supermen’, 3 of which were still prominent figures in DC, at least until the recent line-wide reboot.
So to begin things off the creators introduced Doomsday, an unstoppable killing machine that would be the one to kill the Man of Steel. Doomsday effortlessly cuts a path of devastation across the country until he is confronted by the Justice League. Unfortunately for the League, they are utterly overmatched by Doomsday, even with one of his arms still tied behind his back. Literally. The dude has one of his arms confined behind his back and still punks the JLA out like they were a bunch of rookies.
Superman then shows up, and they proceed to destroy the hell out of each other and everything until at last they stop each other. With the last of his strength, Superman unloads everything he has into one last blow, which kills Doomsday. The effort from the punch, combined with the severe damage and injuries sustained during the battle, was just too much, and he dies in Lois Lane’s arms in the middle of the streets in Metropolis.
DC Comics has pretty much always been about changing things up. They rebooted their entire line more than a few times, they have replaced beloved characters with ones nobody cared about, they have dragged their icons through the mud on numerous occassions. They’ve let titles like JLA, JSA, and Teen Titans spend so much time floundering that it should be considered criminal. But there are a few things they’ve done over the years that drove me crazy, and I was able to narrow it down to the 5 most glaring (to me). Keep in mind that these aren’t the 5 worst moves DC has ever made, but the ones that I disliked the most. So, in no particular order….
1.Final Crisis
DC has always had this thing that they do. First, they lose control of how streamlined their universe is. Then, they compound the problem by adding retcons, and new characters replacing old ones, and revamps. Then, realizing that this has left a bigger mess, they have a “Crisis” and come out of it with a new universe. After the first, “Crisis on Infinite Earths”, Supergirl and the Flash were dead (among others), and they relaunched their books (or at least their characters) with new origins, and the previous decades of stories no longer ‘counted’. Then, about ten years later, the same problem had happened. They had lost control of their universe, and the titles were suffering. Rather than doing the Marvel (aka ‘smart’) thing, namely getting top talent on your titles and telling them to go nuts, DC decided the real problem wasn’t the way the books were being made, but rather that they just all needed new blank slates (again). So there was “Zero Hour”, which led to the deaths of a lot of people, most notably the Atom, Hourman, and Dr. Midnite from the JSA. After Zero Hour everything was rebooted (AGAIN). Cut to 15 years later, and DC is doing pretty darn well. Their books are as good as they’ve ever been, they have A list creators working for them, and they’re exploring movie options for a number of them. But still, they decided they needed a clean start (albeit not a complete reboot, more like a… restructuring), so along came “Infinite Crisis”, which didn’t so much reboot everything as it let them fix some continuity problems that they had. It actually made the entire line stronger, but that wouldn’t last…
A few years later DC has squandered almost all of the good will they had built with fans from projects like Identity Crisis, Infinite Crisis, 52, etc. After “Countdown”, and the mind-boggling handling of the Flash, the Justice League, Superman, and the Teen Titans, DC decided it was time once again to have a crisis. Enter Grant Morrison and Final Crisis, a story about what happens to the Earth when gods from another planet start to manifest here. While that’s a cool story idea, the execution was, to say the least, flawed. Rather than a straightforward story, we got a metaphysical wankfest from Morrison, who had much more interest in writing about the strength of myths and stories rather than any kind of ACTUAL story. It was a huge mess, and really killed any momentum that was left from the Infinite Crisis days.
Not only was the story a mess, but it was completely forgettable. It had no real lasting effect on any of the DC titles, not even Batman, who ‘died’ in Final Crisis. Well, that is if you read Final Crisis. If you were just reading Batman, it was clear that SOMETHING happened to him, but damned if anybody could figure it out. Not that it was some super-well written mystery, but it just didn’t make any damn sense. Finally, the fans started to speak with their money, and started dropping DC titles like they were made of dead babies and AIDS. This led to Warner Bros, DC’s parent company, to do some corporate restructuring, including bringing in Bob Harras as the new Editor-in-Chief. Bob was once the EIC at Marvel, and promptly ran them into bankruptcy. As soon as he was in charge at DC we saw him implement HIS idea for how DC should reboot (again. For the THIRD time in less than 10 years)…..
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