X-Men Crossovers Part 9

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Messiah Complex

Took Place In: Messiah Complex 1, Uncanny X-Men 492-494, X-Factor 25-27, New X-Men 44-46, X-Men 205-207

Written By: Ed Brubaker (Messiah Complex, Uncanny X-Men), Mike Carey (X-Men), Peter David (X-Factor), Craig Kyle and Chris Yost (New X-Men)

Art By: Marc Silvestri (Messiah Complex), Billy Tan (Uncanny X-Men), Scott Eaton (X-Factor), Humberto Ramos (New X-Men), Chris Bachalo (X-Men)

Characters Involved: Cyclops, Emma Frost, Archangel, Nightcrawler, Colossus, Storm, Beast, Bishop, Caliban, Hepzibah, Rogue, Professor X, Warpath, Wolverine (X-Men), Multiple Man, Layla Miller, M, Rictor, Siryn, Strong Guy, Wolfsbane (X-Factor), Anole, Armor, Dust, Elixir, Gentle, Hellion, Indra, Mercury, Pixie, Prodigy, Rockslide, Stepford Cuckoos, Surge, Trance, Wolf Cub, X-23 (New X-Men), Arclight, Blockbuster, Gambit, Harpoon, Lady Mastermind, Mystique, Omega Sentinel, Prism, Riptide, Scalphunter, Sunfire, Scrambler, Vertigo (Marauders), Exodus, Frenzy, Gargouille, Neophyte, Projector, Random, Tempo, Unuscione, Vindaloo, Amelia Vought (Acolytes), Sinister, Predator X, Reverand Rissman, Purifiers, Lady Deathstrike, Reavers, Hope Summers, Cable, Forge

Story: This story, the first inter-title crossover from the X books in years, spins out of the events of the House of M storyline, in which the Scarlet Witch uses her reality warping abilities to de-power 98% of the mutant population.

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X-Men Crossovers Part 6

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Fatal Attractions

Took place in:  X-factor 92, X-force 25, Uncanny X-men 304, X-men 25, Wolverine 75, Excalibur 71

Written by: Scott Lobdell (Uncanny X-men, X-factor, Excalibur), Fabian Nicieza (X-men, X-force), Larry Hama (Wolverine)

Art by: Joe Quesada (X-factor), Greg Capullo (X-force), John Romita JR (Uncanny X-men), Andy Kubert (X-men), Adam Kubert (Wolverine), Ken Lashley (Excalibur)

Characters involved: Magneto, Exodus, Fabian Cortez (Acolytes), Havok, Polaris, Random, Quicksilver, Wolfsbane, Multiple Man, Strong Guy (X-Factor), Shadowcat, Phoenix, Nightcrawler (Excalibur), Cable, Cannonball, Boom Boom, Rictor, Sunspot, Warpath, Shatterstar, Feral (X-Force), Professor X, Cyclops, Storm, Jean Grey, Beast, Iceman, Archangel, Wolverine, Colossus, Bishop, Gambit, Rogue, Jubilee, Psylocke (X-Men)

Story: Unlike the last few crossovers, Fatal Attractions is really just a series of events in each title, much like Mutant Massacre. In other words, you don’t need to read any of the other chapters to follow the story in the book you were already reading.

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X-Men Crossovers Part 5

X-Cutioner’s Song

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Took place in: Uncanny X-men 294-296, X-factor 84-86, X-men 14-16, X-force 16-18

Written by: Peter David (X-Factor), Scott Lobdell (Uncanny X-Men), Fabian Nicieza (X-Men, X-Force)

Art By: Jae Lee (X-factor), Brandon Peterson (Uncanny X-men), Andy Kubert (X-men), Greg Capullo (X-force)

Characters Involved: Havok, Polaris, Multiple Man, Wolfsbane, Quicksilver, Strong Guy (X-Factor), Cannonball, Sunspot, Boom Boom, Rictor, Shatterstar, Feral, Warpath (X-Force), Storm, Iceman, Archangel, Jean Grey, Bishop, Cyclops, Wolverine, Beast, Jubilee, Gambit, Rogue, Psylocke (X-Men), Cable, Apocalypse, Sinister, Stryfe

imagesStory: Hoo boy. This story is 1990’s X-Men at its peak, for better or worse. If, like me, you were reading all 4 of the titles involved in this crossover, then this was awesome. But if you were a causal fan, or just reading one or two of the books, this was a damn disaster. The story begins in Central Park, at a free concert by mutant musician Lila Cheney. At one point in the concert there is a break, and Professor X gives a speech about tolerance and how mutants are just like normal people, blah blah. Attending the concert are Storm, Bishop, Rogue, and a disguised Archangel. So a woman that can control the weather with her thoughts, a time-displaced militant mutant with the ability to shoot lazers from his hands, a woman that can kill you with a touch, and a flying cutlery drawer. Yeah, they’re just like us, Charles.

Sadly for the Professor, he is suddenly shot in the chest by what appears to be Cable! Before the X-Men can react he teleports out, leaving Charles for dead. This stuns the mutant world, as Cable has been affiliated with X-Force and before that the New Mutants, and is part of the X-family, albeit not directly. This ESPECIALLY stuns X-Force, who have not seen Cable in months and a) can’t believe what he’s done, and b) know that they’re going to be everyone’s first stop on the ass beating train.

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RETRO SPOILER ALERT! – First Appearances Can Be Deceiving – SILVER AGE (2 of 4)

Continued from Part 1: The Golden Age!

THE SILVER AGE (1956 – 1970)

— “With great power comes great responsibility!” – Ben Parker (Spider-man comics)

This period from around 1956 to 1970 was a huge shift in the world of comic books. Prior to this comics were in decline, mainly because of the Comics Code Authority banning all the awesome shit that was actually selling, because they were afraid it was going to create a generation of delinquents, you know like rap music and video games! Thanks to douchebag of the century, Fredric Wertham, many comic books and pulp magazines were burned in massive bonfires around the country.

So the Silver Age is considered the point at which comics were rejuvenated after a lame stint of pure camp in the Atomic Age of the 50’s. It was the beginning of many a Marvel hero and was marked by a much more sci-fi focus than ever before. This was also notably the introduction of some of the industry’s best talent to date, both artists and writers, including Neal Adams, Denny O Neal, Jack Kirby, Steve Ditko, John Romita Sr., and of course Stan Lee. Comics of this era are seen as an extension of the Atomic Age, and are often heavily influenced by B-rated Science Fiction films of the time where flying saucers, and giant radioactive monsters ran amok across the silver screen. One of the earliest instances of this was with the devious BRAINIAC first invading Action Comics in issue 242 (1958). Much like the Children of the Atom (the X-Men), Comics began to evolve.

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