Top 10 Scariest Marvel villains

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There are a TON of villains in the Marvel universe. Some are jokes, some aren’t really villains at heart, some are pretty bad, and some are straight up evil. Then there are the ones that are just scary, because of what they’re capable of, or how far they’re willing to go to get what they want. There are some that didn’t make this list that might belong, like Magneto, or the Green Goblin, but in the end I think it depends on how you define scary. If you disagree with my choices feel free to leave your own top 10 in the comments. Here are my top 10 scariest villains of the Marvel universe.

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RETRO SPOILER ALERT! – First Appearances Can Be Deceiving – COPPER AGE? (4 of 4)

Continued from Part 3: The Bronze Age

THE COPPER AGE (1985 – ?)

— “I know pain. Sometimes, I share it… with someone like you!” – Batman (Batman: Year One)

Also referred to as the ‘Modern Age’ of Comics, and is seen as a continuation of the ‘Dark Age’ of Comics. I like to say we’re in the Post-Modern Age, since the current comics barely resemble the comics of the 90’s and it’s been long enough to establish a New Age. This ‘Modern’ Age is often classified with works like Alan Moore’s Watchmen, and Frank Miller’s the Dark Knight Returns.

During this time leading up to today comics evolved into graphic novels. Comic issues were intended as single episodes in a greater story, and usually collected into larger volumes to be sold at book store chains. Many acclaimed, award winning graphic novels came about around this time including: V For Vendetta, the Sandman, Hell-blazer (Constantine), 100 Bullets, ‘Maus’, Fables, American Splendor, Kick-Ass, the League of Extraordinary Gentlemen, Wanted, Red, the Losers, Road to Perdition, A History of Violence, Y: the Last Man, and Grimm Fairy Tales, among others, most of which have been turned into blockbuster films along with a majority of super hero comics.

The Copper Age also covers the mixed bag of comics that was the 90’s when the X-titles reigned supreme, and cross-overs galore flooded comic shops with overprinting and variant cover marketing gimmicks. Comics of this decade were marked by unnecessary (and meaningless, non-permanent) deaths, constantly confusing title cross-overs, ridiculously out of proportion body-types (either steroid muscles, or DDD size boobs), and pointless violence coupled with raging CAPS and EXCLAMATION POINTS!!!!!!!!! Now regardless of all the negatives, there were some pure gold tales that came out of this mess like: The Death of Superman, the Knightfall Saga, etc… This was also the rise of other comic company giants, like Image and Wild-storm, but that’s for another article.

During the 80’s and 90’s the status quo was significantly changed. DC took a page from Marvel when they revamped their entire line of heroes. Some were altered more drastically than others, like Superman. In John Byrne’s ‘THE MAN OF STEEL’ miniseries (1985), Superman’s origin was completely revamped from the start. Superman himself was significantly depowered compared to the god-like Silver Age version and he was made more relatable and down to Earth. His entire cast of supporting characters were also given updates. Most notably, LEX, the original criminal-mastermind was no longer a crazy-ass mad-scientist with desires for world domination, instead he was a ruthless business man who had already conquered the world and had practically built the city of Metropolis! Lex became insanely jealous when this new hero of tomorrow overtook his own spotlight, and vowed to destroy him.

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RETRO SPOILER ALERT! – First Appearances Can Be Deceiving – BRONZE AGE (3 of 4)

Continued from Part 2: The Silver Age

THE BRONZE AGE (1970 to 1985)

— “I am fire and life incarnate! Now and forever — I am PHOENIX!!!” – Jean Grey (Dark Phoenix)

This is considered to be the start of the ‘Dark Age’ of Comics, and with good reason, which continued into the late 90’s (the Copper Age). Some very dark twists to many popular characters backstories were first established during this time such as: (Retro Spoiler Alert!) the Green Goblin killing Spider-man’s girlfriend (Gwen Stacy, not MJ), the demise of Jason Todd (the second Robin) at the hands of the Joker, Elektra’s murder by Bullseye, etc… (BULLSEYE was introduced in Daredevil #131 – 1976, and ELEKTRA in #168 – 1981)

Often disputed between comic fans / historians, this Bronze Era is typically said to have occurred sometime between 1970 and 1985 give or take a couple years. This was a time when comic books became more socially conscious and began featuring real-world issues. Comic books were no longer just an escape from reality, but a mirror of it. This is when the legends behind the most acclaimed adult-themed comics started to creep onto the scene. Writers and artists like Alan Moore, Frank Miller, Neil Gaiman Chris Claremont, John Byrne, Jim Lee, George Perez, Joe Quesada, and countless others who are still relevant today, most of whom are still actively in the comic industry today!

The Bronze Age was when there was a resurgence in interest for super heroes in general. Following the cheesy campy spoof that was the Batman 60’s TV series was the first serious, live action, depiction of a comic book, on the silver screen with Superman: The Movie in the late 70’s, and in the 80’s there was the Wonder Woman show and the Incredible Hulk became a Smash Hit! (pun-intended)

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RETRO SPOILER ALERT! – First Appearances Can Be Deceiving – SILVER AGE (2 of 4)

Continued from Part 1: The Golden Age!

THE SILVER AGE (1956 – 1970)

— “With great power comes great responsibility!” – Ben Parker (Spider-man comics)

This period from around 1956 to 1970 was a huge shift in the world of comic books. Prior to this comics were in decline, mainly because of the Comics Code Authority banning all the awesome shit that was actually selling, because they were afraid it was going to create a generation of delinquents, you know like rap music and video games! Thanks to douchebag of the century, Fredric Wertham, many comic books and pulp magazines were burned in massive bonfires around the country.

So the Silver Age is considered the point at which comics were rejuvenated after a lame stint of pure camp in the Atomic Age of the 50’s. It was the beginning of many a Marvel hero and was marked by a much more sci-fi focus than ever before. This was also notably the introduction of some of the industry’s best talent to date, both artists and writers, including Neal Adams, Denny O Neal, Jack Kirby, Steve Ditko, John Romita Sr., and of course Stan Lee. Comics of this era are seen as an extension of the Atomic Age, and are often heavily influenced by B-rated Science Fiction films of the time where flying saucers, and giant radioactive monsters ran amok across the silver screen. One of the earliest instances of this was with the devious BRAINIAC first invading Action Comics in issue 242 (1958). Much like the Children of the Atom (the X-Men), Comics began to evolve.

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RETRO SPOILER ALERT! – First Appearances Can Be Deceiving – GOLDEN AGE (1 of 4)

Click here for Spoiler Alert – Issue One: 7 Awesome Changes to the DC Universe!

“In the beginning there was the word, and the word was <SHAZAM!>” – John 1:1, New Testament, Biblical quote (altered, obviously)

One of the things I absolutely love about comic books is the intricate history, not just the current ‘in-cannon’ history of the stories themselves, but the history behind the stories, the history of the characters, and their creators. What started in newsstands and drug stores eventually evolved into bestselling graphic novels, and smart phone downloads.

In this (retro) installment of ‘Spoiler Alert’, I’ll be discussing the initial appearances of many of the world’s most famous super heroes between both MARVEL and DC comics! Furthermore, I will be delving into the differences between their initial appearances and today.  One big difference between DC and Marvel over the years is that DC characters almost always started out in their own separate worlds and eventually crossed over into the same continuity, whereas Marvel characters have always been a part of the same world from day one. However almost all these characters started out in a series that was not titled after them.

Back in the day, it was not uncommon for single comic issues to have Multiple (complete) stories rolled into one, whereas today you’re lucky to get One story in a single issue, since most stories are stretched between several issues and later collected into a trade paperback, so most of today’s comics are the equivalent of a chapter. Anyone who already knows a bit about comics knows that Superman first originated from Action Comics 1 (1938) and Batman made his debut in Detective Comics 27 (1939), while Marvel’s Spider-man (created by New York comic gods STAN <the man> LEE and Steve Ditko) first swung into the pages of ‘Amazing Fantasy’, Issue #15, in 1962. But did you know that Wolverine first appeared in the Incredible HULK?! (Issue 180, 1974)

Real quick note about DC and Marvel. The two competitive companies are akin to Microsoft and Apple in that both are very similar in a lot of ways, both have been known to copy one another, there are a few differences in the way they get things done, but it all comes down to the fact that both of them pretty much do the same basic shit. A key difference right now would be that Marvel’s live action films are kicking ass left and right (Iron Man, Spider-man 2, X-Men: First Class, Daredevil, THOR, ‘The INCREDIBLE’ HULK, etc), in comparison to DC’s few and far between with a few notable exceptions (The DARK KNIGHT Trilogy), even though they have just as much potential, but take their animated films and DC is far superior in quality thus far with their new line of PG-13 movies directed to an older audience (Superman Doomsday, Wonder Woman, Batman: Under the Red-Hood, Green Lantern: Emerald Knights, Superman/Batman: Public Enemies, Justice League: Doom, etc), also, obviously, with a few notable exceptions (Hulk vs Wolverine).

Also, one cool thing about all these first appearances is that if you can get your hands on one of these issues, (I’m talking first printing) especially the older stuff, it’s going to be worth a lot more than your average comic. For instance, Action Comics #1 recently sold for a whopping $2.6 MILLION!!! It originally only sold for a measly 10 Cents (talk about inflation). But that’s a rare case seeing as it’s not only one of the rarest comics of all time, but it is the original super hero comic of all time! So yeah, if you’re ever perusing a vintage collection of comics in a random flea market keep your radar out for these diamonds in the trash.

Now that we’ve got those honorable mentions out of the way let’s buckle our seat-belts and set our Flux Capacitor for the 1930’s because when it comes to history I like to go chronologically. We’ll be skipping the Victorian and Platinum Ages that led into…

THE GOLDEN AGE (1938-1956)

—“Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound!”  – Superman narrator / radio announcer (from the 50’s TV series)

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The Not-So-Great Debate #1

The Not-so-Great-Debate: Battle of the Rogues
Batman / Spider-man

One of my favorite things about reading comics is the sheer amount of debates you can have about them. Who is cooler: Batman or Superman? Who is faster: Quicksilver or the Flash? Who would win: the Hulk or the Thing? Burton Batman or Nolan Batman? Married Spider-Man or single Spider-Man? Cyclops’ X-Men or Wolverine’s X-Men? Captain America or Iron Man? Avengers or X-Men?

I’ve always been interested in these conversations. When I worked at a comic book store, one of my favorite things was to listen to the arguments customers would have (especially the younger ones). The best one I ever heard was between three brothers: One was about twelve, the next probably 9 or 10, and the youngest was 7-ish.

They were debating which Robin was the coolest. The oldest loved Jason Todd, the second Robin that was murdered by the Joker, but mostly because of his time as the Red Hood since his unfortunate resurrection. The youngest was ALL ABOUT Tim Drake, and thought the other two were insane to even entertain this notion that there could ever be a Robin that measured up (for my money, he’s right, but that might be a topic for another day). The middle one had a strong argument, as he thought the best Robin was the first one- Dick Grayson, aka Nightwing (and replacement Batman). They went back and forth for probably twenty minutes, and it never devolved into shouting, or name calling, or anything like that. It was really just each kid making their case (“Tim beat the Joker! Without Batman!”). I remembered that conversation recently, and thought that there could be some entertainment value in something like that.

So, I called up Erik Slader (of EpikFAILs.com) and we settled on a topic that we come down on opposite sides of. We’re going to go back and forth, at least until we have each made our cases. If one of us can convince the other that we’re right, all the better, but I wouldn’t hold my breath…

Our first topic of discussion:

“Who has the better villains: Spider-Man or Batman?”

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ComicZombie: The best super-heroes always have awesome villains. Superman has Lex Luthor, Brainiac, Bizarro, and Doomsday; the Flash has Professor Zoom and the Rogues, whereas the X-Men have Apocalypse, Sinister, Magneto (sometimes), Sentinels, the Marauders, and just about every human on Earth; Daredevil has the Kingpin, Bullseye, Lady Bullseye, the Hand, Mr. Hyde, the Owl, and Mr. Fear, while the Fantastic Four have Dr. Doom; and the list goes on and on for the Avengers, Captain America, Iron Man, Hulk, Green Lantern, Wonder Woman, and so on and so on.

However, I don’t think there is any debate that the heroes with the greatest villains are: Batman and Spider-Man. I also don’t think there’s any debate that Spider-Man edges out Batman for the title, but that’s why we’re here.

Batman has awesome villains, yes. But the real appeal for his rogues is really all at the top of the list; the heavy hitters, for lack of a better term. Spider-Man’s group of freaks is awesome all the way from the real bigs, like the Green Goblin, Doctor Octopus, Venom, etc to the guys that are practically hopeless, like the Shocker, Hydro Man, Boomerang, Cardiac, and a whole host of others. Granted, most of the appeal is at the top as well, but Spidey has more “A-list” villains than Batman does. His rogue’s gallery as a whole is just better.

ErikSmash!: So the duel Begins… 

Of course both of these dubious super-villain team-ups have their own merits, but on behalf of all Fan-boys and Geek-girls out there, I’m going to have to side with BATMAN’s rogues gallery as the best in all of comic-dom.

I might be a DC loyalist, yet even I can admit that your friendly neighborhood SPIDER-MAN has an all-star cast of costumed crazies, and perhaps even the best rogues gallery.. in the MARVEL universe that is!, but you have got to be shitting me if you think for a second that Spidey’s baddies are anywhere near the archetypal greatness that are the foes of the Dark Knight! Two-Face, Scarecrow, Poison Ivy, the Riddler, The JOKER! All these characters are so awesome they often overshadow the hero. It can be argued that as cool as Batman is, it’s his villains that make him legendary, these are tales so psychologically metaphorical they will last the test of time and have already proven their versatility in their various reincarnations over the ‘Ages’ (Gold through Platinum).

“Good evening, ladies and gentlemen. We are tonight’s entertainment! I only have one question. Where is Harvey Dent?” – the Joker

I’m not going to even bother defending guys like CALENDAR MAN, MAXIE-ZUES, KG-BEAST, KILLER-MOTH, or VENTRILOQUIST, for example, but even those guys have had their moments, and can cause some serious trouble for Gotham’s Knight. However, when it comes to Batman’s rather extensive (and ever-growing) rogue’s gallery, the numerous heavy hitters far exceed those of the bottom of the barrel rejects. So let’s start with the one that is more acclaimed than all of Spider-man’s bad guys put together:

THE JOKER! From his first eerie introduction in Batman #1 to Heath Ledger’s terrifying portrayal in Christopher Nolan’s epic trilogy, this agent of anarchy is the essence of nightmares. Not only that, but as perhaps Batman’s ultimate arch-enemy, you’ve got a perfect foil for one dark and brooding, ever-stoic, crusader of justice, versus: an unstable, unpredictable, laughing terrorist, dressed in a purple suit with makeup and green hair, whose only out to prove that life is meaningless, and doesn’t even care if you get his inside jokes. Denny O Neal once claimed that the Joker is not only one if the greatest comic book villains, but that he’s right up there with the other great villains in all of literature. My favorite thing about the character is that almost everything he does has an ulterior motive, or worse: not motive at all. For instance, when the Joker brutally murders your best friend in a most horrific (albeit humorous) manner there’s a 50/50 chance that it was either a spur of the moment idea that conveniently presented itself, or was simply an elaborate plan to drive you over the edge of sanity itself. Check out ‘The Man Who Laughs’ by Ed Brubaker (featuring a retelling of his first encounter with the Batman, following ‘Year One’), ‘The Killing Joke’ by Alan Moore (one of the most acclaimed and pivotal Joker tales), or better yet: Brian Azzarello’s chilling graphic novel simply entitled, ‘JOKER’!

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Spoiler Alert – Issue One: 7 Awesome Changes to the DC Universe (part 7)

Continued from Part 6: One part demi-goddess, two part boobs, all kickass!

#1 – Aquaman is… badass?!

Last, but (surprisingly) no longer the least is none other than AQUAMAN, reimagined by the master of revamps, Geoff Johns (who also singlehandedly fixed everything previously wrong with the Green  Lantern saga and I highly recommend his entire GL series, which is actually still cannon btw). Aquaman has long been the ass-end to many a punch-line in pop-culture references. Whenever a comedian bashes super heroes, Aquaman is exhibit A, a fact that Johns actually exploits and embraces, but ultimately he succeeds in proving everyone is completely wrong. Aquaman is by no means a lame character, however he has been done an injustice on more than one occasion.

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Spoiler Alert – Issue One: 7 Awesome Changes to the DC Universe (part 6)

Continued from Part 5: Superman’s ‘Super-suit’

#2 – One part demi-goddess, two part boobs, all kickass.

Now here’s a classic heroine who rarely gets her due, often the center of controversy concerning her own wardrobe changes (to pants, or not to pants), this Amazon Princess has reverted back to a more classic look. Since her inception, WONDER WOMAN was a great concept, the first woman, superhero created by Dr. William Moulton Marston (who also invented the lie-detector). Wonder Woman was the first of many DC heroines including Supergirl, Black Canary, Batgirl, Batwoman, Catwoman, Poison Ivy, the Huntress, Power-girl, and Harley Quinn among countless others.

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Spoiler Alert – Issue One: 7 Awesome Changes to the DC Universe (part 5)

Continued from Part 4: ‘Holy Bat-Comics, Batman!’

#3 – Superman’s ‘super-suit’!

Perhaps the biggest change to DC’s new 52 initiative was the revamp of Superman himself.

Now, I feel the need to preface this by saying I really am a huge super-fan, like ever since the premier of Smallville’s pilot a good eleven years ago (when I was in high school that is). Mark Waid’s ‘Superman: Birthright’ several years ago simply enforced everything I subconsciously dug about this legendary icon, however at the same time I’ve always been of the opinion that his costume was, for lack of a nicer word, outdated.

To be fair, it is after all the original superhero outfit, and therefore practically blasphemy to tweak it, but I do think it was the right call to finally shake things up a bit (those red speedos had to go). As with most of the New 52 versions of the DC heroes, practically all of their designs now emphasize practicality, thanks to Jim Lee. For instance: the Green Lanterns wear energy construct uniforms, Flash’s costume is apparently some kind of nano-tech, Aqua-man wears Atlantean Scale-male, and Batman has a light-weight suit of Kevlar high-tech armor.

In the pages of the new ACTION COMICS, by the great Grant Morrison (of ‘All-Star Superman’ fame), a young Man of Steel is first starting out as a Metropolis vigilante in… blue jeans, work boots, a red indestructible cape (we later learned belonged to his biological grandfather), and a certain symbolic, Kryptonian ‘S’-shield crest across his chest, emblazoned on his…um… t-shirt? One of the purposes of this story arc is to show the evolution of a super man to a true super hero. For one he’s both inexperienced, and de-powered significantly. In the new continuity this story takes place 10 years prior to the current-era, main ‘Superman’ title (by George Perez) where he’s already established, and working for the Daily Planet, and 5 years before the Justice League story where he first runs into Batman and co.

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Spoiler Alert – Issue One: 7 Awesome Changes to the DC Universe (part 4)

Continued from Part 3: Leagues, Titans, and Guardians (oh my!)

#4 – “Holy Bat-Comics, BATMAN!”

In the New-52 there are a total of 16 current Bat-related titles, 6 of which actually star the Dark Knight himself, and in 4 of those he’s the leading man (3 of which are solo missions), and best of all, every single one of them is top-notch… as it should be! Batman is simply a great character in every sense, created by the legendary Bob Kane, but it’s astounding, after all this time, how these writers still manage to come up with new and different takes on all his villains, various allies, and numerous adventures, without constantly re-hashing the same damn stuff!

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